Every drawing in the system, at the size it is used. Flat fills, one hairline weight, and every colour a token — so the same drawing is correct on paper and inside a tone without a second version of it existing.
Picked by hand (13 October 2026): the logo’s pen in a curator’s hand. The marks circle, ring, tick and point, one per composition, ink on light and white on dark, never lime. The patterns sit on ink or lime, tone on tone, never behind running text. Both are drawn from lib/brand/marks.ts, which the Figma brand book uses too.
A template rides the conveyor through seven machines and collects its story: it enters plain, Brand gives it its colour block, Validate and Review pin checks on it, each tool adds a pip, and the Publish stamp presses the badge on. It was the homepage hero for a while and it is the wrong thing there — the hero has to show what we sell, and this explains how something comes to be sold.
Each one is shown on paper here. Dropped into a coloured section they follow it — the seal’s hairline reads cobalt inside tone-cobalt and mist on paper, from one drawing.